Rescheduled from 9/20/20
FRONT 242 — Black To Square One USA 2021 Tour
CYANOTIC and DJ JAKE RUDH
Note: The Front 242 show originally scheduled for September 20, 2020 has been rescheduled and will take place on March 14, 2021. All tickets purchased for the September 2020 performance will remain valid for the new date, so please hang on to your original ticket for entrance.
The deadline to request a credit or refund for this show has passed. Visit Lyte to see if this show is eligible for return or exchange through their platform.
If you are interested and able to donate, consider putting the cost of your ticket toward the TC Music Community Trust’s Entertainment Industry Relief Fund in support of individuals in need. All funds donated will directly impact someone who has lost a gig due to COVID-19 and its effect on the industry. The outpouring of words of encouragement and monetary donations thus far has been incredible, and we thank you for your continued support of the Twin Cities music scene. Donation link and more information can be found here.
Front 242’s entire history was clearly defined from the start when Daniel B. and Dirk Bergen released the first single “Principles” with the hit song “Body to Body” in 1981. In 1982, Patrick Codenys (keyboards) and Jean-Luc De Meyer (vocals) join Front 242 and they release the single “U-Men” followed by the first full-length album, Geography. This album already displayed the cold, synthetic brand of dance music that would become Front 242’s signature sound in the following years. In 1983, Dirk Bergen left and Richard 23 joined the band as stage performer and vocalist.
The band created its own label, and the organization which promoted music from Belgium. 1983 saw the release of an EP, Endless Riddance, and the re-release of the first two singles under the title “Two-In-One”. The band developed and quickly reached a specialized audience in Europe. With the second full-length album No Comment in 1984, the term surfaced to describe the synthetic and physically charged qualities of Front 242’s music and sounds recycled from the media and television.
In 1985, the fabulous Politics Of Pressure was released on 24 track. That year, the band played for the first time in large European festivals and flew to the U.S.A. for some live performances. They were soon tagged as a very powerful live group. The international breakthrough came in 1987 following the signing to Wax Trax in the United States and Red Rhino in Europe with the release of the single “Interception” and the albums Backcatalogue and Official Version. This album had a busier sound picture in contrast to the minimalism of the first two studio albums.
In 1988, Front 242 released the groundbreaking album Front by Front, taking their sound to its logical extreme. Preceded by the dance-club hit single “Headhunter” and its prize-winning video directed by Anton Corbijn, Front By Front was the band’s most streamlined and dance-oriented release, with an index/bpm chart displayed on the sleeve for DJ convenience. This release firmly placed the group as a major driving force of electronic music.
For their next album release, Tyranny >For You< in 1991, Front 242 was approached by Epic Records U.S. In the next two years Epic did not only release Tyranny >For You<, but also the entire back catalogue with additional material and new covers. Two different versions of “Tragedy >For You<“ were lifted from the album. For the first time Front 242 was remixed by other bands: The Orb and Prodigy. The sound of these singles differed somewhat from Front 242’s previous releases. The Orb and Prodigy brought a richer and more varied sound.
When Front 242 resurfaced at the end of 1993, it was with a radically new sound and two new CDs, 06:21:03:11 Up Evil and 05:22:09:12 Off, released within a few months of each other. Front 242 enlisted the services of a number of production people and musicians, giving the sound on both CDs an extremely rich and layered quality. 06:21:03:11 Up Evil is the opposite of 05:22:09:12 Off; 06:21:03:11 Up Evil utilizes guitars extensively and has a more chaotic sound, 05:22:09:12 Off is a more melodic CD with female vocals giving the music a sense of beauty that is not normally present in Front 242’s music.
In 1994, Front 242 released Live Code which was recorded during their last world tour. The group’s influence from other electronic bands and producers became apparent when Front 242’s 1995 release Mutage.Mixage featured remixes by Prodigy, The Orb and Underworld. More than just a remix album, all the tracks were reedited in a specific order by Front 242 to provide continuity of enveloping atmospheres and rhythms. In 1997, Billboard Encyclopaedia featured Front 242 in their “Top 500 Best Producers in Rock History”.
After a three-year sabbatical, the band decided to undertake a World Tour. Playing live had always been a good way for them to experience excitement and creativity. In 1998, Front 242 released Re:boot, a live album that included new sounds and structures in order to present updated versions of previous Front 242 tracks, once again creating unique sounds and songs.
In 2003, after a long studio absence, Front 242 released the EP Still & Raw and the album Pulse. Based on an aesthetic from the ’70s and ’80s, when German bands influenced the roots of today’s electronic music. Front 242 re-invented the original sound that was at the centre of their art and enriched it by 20 years of experience. Analogue technologies and vintage machines pulsing into deconstructed tracks where emotion and research leads to a purely electronic attitude.
Recent years have seen the members of Front 242 pursue various solo projects.
Cyanotic is a Chicago-based industrial rock collective fronted by Sean Payne that formed in 2002 and released its first full-length album in 2005. Cyanotic is known for its genre-blending work, which fuses traditional industrial beats and vocals with drum n bass, sampling and heavy metal to create a hard, aggressive sound. The band's lyrics contain many tongue-in-cheek references to transhumanism.
Jake Rudh is both a Minneapolis club and radio DJ hosting "Transmission" the program heard on 89.3 The Current every Thursday night at 10pm. Jake's worked in music for over 30 years including Capitol Records, NPR and Twin Cities alternative favorites REV 105 and Radio K. Having been voted "best club DJ" in the Twin Cities for ten straight years by the readers of City Pages magazine, he brings the varied mix of the club nights to the airwaves each week with a different theme to his show.
Being named after the Joy Division classic, the program is heavily centered around post-punk, new wave and dark wave as well as shoegaze, dream pop, psych, power, indie and British pop. Jake often hosts in-studio sessions and interviews musicians from those worlds...most recently Chrissie Hynde of The Pretenders, Bryan Ferry of Roxy Music, Duran Duran's John Taylor, Sting, Adam Ant, Ron and Russell Mael of Sparks, synth-pioneer Thomas Dolby, Peter Murphy of Bauhaus, Devo founder Mark Mothersbaugh, Andy Gill of Gang of Four, and Talking Heads & Tom Tom Club co-founder Chris Frantz.